Wednesday, December 28, 2005


The following story appeared in my local paper this morning in the daily column "Character Counts" which is authored by Michael Josephson:

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By Michael Josephson
December 28, 2005

One of my favorite stories tells of a man I'll call Al who was rushing home excited to tell his wife about a $1,000 bonus check he'd unexpectedly received from work.

Before he got to his car, a desperately sad looking woman with a baby asked him for a few dollars. She said her child had leukemia and was dying. He reached into his pocket for some loose bills and accidentally pulled out his bonus check. He looked at the check for a moment and then at the woman's baby and spontaneously endorsed it to her, saying, "Use this to do what you can for your baby."

When Al told his family what he did, they were not pleased. His wife said, "I can't believe you gave some stranger our money," and his teenage son chided Al for being naive. Al was hurt but simply said, "I just thought she needed it so much more than we did."

A week later, his son came to him with an "I told you so" look on his face. He showed Al a newspaper article about a woman with a baby who had been arrested for scamming people in the area.

"This is the lady you gave the money to, isn't it?" the son asked disdainfully.

"Yes," the father replied, as he smiled broadly.

"What are you smiling about?" the son demanded. "You were cheated! She made a fool out of you."

"Don't you see?" Al replied: "This is wonderful news. It means the baby is not dying."

Overwhelmed with affection and admiration for her husband, Al's wife said: "Your dad will earn other bonuses. Just be thankful we have each other, our health and a truly good man we can all be proud of."
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After reading this I was overcome by emotion for reasons I've been seeking throughout the day, and what I've come up with is this...The spirit of the current season, at least what it's suppose to be all about, was contained in this short story of a man leading with his heart and not his fear. He realized all the money in the world is worthless if we disregard truth when it collides with our wants. The woman may have been a scam artist, but the truth of the moment as far as the man saw it through the portals of his heart was far greater than anything he would have purchased with his bonus. May we all have the good fortune to recognize our own "truths" in a more regular fashion this coming year!

Tuesday, December 13, 2005

It seems to me that murder is murder, regardless of whether it is at the hands of a single individual or at the hands of the state. If God is all powerful, all knowing and all wise, why is it that human beings occasionally take matters into their own hands and decide the moment of a fellow soul's passing under the guise of legality??? This seems to be more a matter of convenience than anything else, and not truly driven by the mentality of 'right vs. wrong'. A little story...

Somewhere far away, buried deep in unknown mountains was an unnamed lake, a lake so deep and blue that a single glance at its tranquility could melt the hardest of souls. A school of small fish lived in this lake and spent their days swimming to and fro, always in perfect unison as if they were of one mind and one body.

One day a fish near the center of the school began swimming erratically and bumping continuously into the fish around him. This individual's reckless behavior quickly escalated into an apparent act of random and senseless violence. The other fish were utterly stunned as none of them had ever witnessed anything like this in their own short lives.

One by one, the other fish began to push back, at first in self-defense, but soon out of an anger spurned by their own sense of self-righteousness. "How dare this rebel upset the peace and tranquility of the school, how dare he threaten those around him"! Innately, the signal was sent to teach this individual a lesson and to protect the school at all costs as no one fish had the right to hurt another. The specter of violence swept throughout the school and soon most of the other fish were doing their best to join the fray, nipping at the renagade's fins and slamming into his small body. Soon the rebel was vanquished, his life ebbing away in brief convulsions of something misunderstood, yet his body continued to move rapidly through the school as if carried forward by some evil and unseen magic. The other fish moved aside and watched his body pass as they felt the short-lived ecstasy of the battle slip away, soon replaced by something new and quite uncomfortable. What now?

What the other fish had been unable to see as they pummeled one of their own right out of existence was that the rebel fish had become caught on a fisherman's line and was simply fighting for his life! The school had reacted to the appearance of things, and had not stopped to consider other possibilities.

We never know what "line " someone may be dancing on in this life, yet we humans are often quite quick to pass judgment and make condemnations about another's actions, often with lasting consequences. There certainly "appears" to be great evil in the world, but sometimes a little empathy will curb the rush to judgment and allow fresh perspectives to emerge. A little grace goes a long way in this world...Go in peace!

Wednesday, November 30, 2005

As I was driving to work this morning, listening to NPR and preparing for what craziness may or may not have been lurking around work's corner, I was "fortunate" enough to catch the first fifteen minutes of Dubbya's speech in front of the Midshipman of Annapolis. I was surprised at the rousing ovation he was given as he was introduced, but then again I'm sure a fair amount of brain washing had been conducted in the days leading up to our fearless leader's appearance, and of course George and his handlers always make sure they have a like-minded audience to perform in front of!

What a f__king moron this man is, and how dare he continue to insult our intelligence by invoking the events of 9/11 in connection with what's currently going so wrong in Iraq. I agreed with going into Afghanistan, the terrorist connection clearly led in that direction, but Iraq was in no way connected to 9/11 and to make that bogus claim again and again is a BOLD FACED LIE! We are in Iraq because it was a top priority of this administration's agenda from the days before they stole the 2000 election, probably and almost certainly because of oil and Saddam's dealings with Bush senior in the first Gulf War. The terrorist connection exits now solely because we've made Iraq the place to be if you want to fight the corrupt western world, and believe me, we (read as our government) are definitely corrupt. We have no mandate to be there in any capacity, and though we can stay as long as we choose to, things won't truly get better until we get the hell out of there and let the Iraqi people find their own equilibrium without us telling them how it should look and feel. It's true of course that when we leave there is a great risk of things becoming truly chaotic, but I believe that is the only chance for Iraq to find its own way. It might be hard for us to stomach what might grow from the ruins, meaning the result may not look like we would choose it to look, but as long as we try to force OUR ideas and visions on the Iraqi people through direct and ominous military intervention, no lasting change can truly occur, and that is what we should ALL be hoping for. You can't force change, and for that liar Bush and his lying cronies to continue selling us snake oil and magic beads..., well shame on us if we don't start paying attention and make them do what they should be doing,i.e., exercising the will of the PEOPLE!

If it smells like pooh-pooh, it probably is pooh-pooh, and to stand up and say "this smells like pooh-pooh" is neither unpatriotic nor a signal to the terrorists that we're weak. You can absolutely support the troops but not this war, and for this administration to tell us otherwise is an example of truly unpatriotic behavior. This country was founded by clear thinkers who stood strong for what they knew to be true and not for what they were told was the truth. If you scrape away all the rhetoric and political manipulation, the truth greets you and it becomes apparent that G.W. doesn't have a leg to stand on in regards to much of anything concerning Iraq or his feeble attempts to play at being president. Somewhere in Texas a village is missing its idiot...Need I say more.

Friday, September 09, 2005

If you are reading this, welcome to my blog. I haven't added anything for quite sometime, so if you have somehow found your way to this site it's quite possibly a minor occurrence of destiny/synchronicity. Anyway...

So much tragedy and sadness in Louisiana, Mississippi and Alabama, and it's far from over. The final death count won't even begin to address those who die in a few months or years as a direct result of the hardships they've encountered, nor will it speak of the lives altered and potential unrealized. Strangely, this tragedy's darkest impact doesn't come from Nature's wrath, but instead from the way we humans deal with the aftermath. Right now, there's many individuals and cities who are opening their hearts and wallets to the victims, exactly the way it should be. But what happens in 2 months, 6 months, 2 years down the road when some of the victims have not recovered to the extent that they can stand on their own and take up some semblance of their former lives? What happens when they don't go home, and instead choose to remain in their new cities, but can't quite get it going and continue to need assistance from the public. What will happen when tempers grow short and frustration thickens daily? What will happen as cultures collide and different social perspectives can't find enough common ground upon which new beginnings can be laid?

The question of what and where to rebuild looms on the horizon, and I'm certain that certain factions, i.e., those with the money and power, are already envisioning a "new" New Orleans that doesn't include much room, (if any at all), for the poor and disenfranchised former residents who suffered the most because of their lack of financial resources and subsequent inability to escape. Whatever gets rebuilt or re-habilitated will, without some type of government intervention,(read as improbable/impossible),be prohibitively over-priced relative to what the poor were formerly paying for rent, or in some cases living for free in family owned homes that had long been paid off and therefore left uninsured. And what of all the mom & pop shops and stores that catered to the lower classes, those establishment that were integral parts of this community that may be squeezed out? Corporate America is unforgiving when it comes to the bottom line, and it's easy to see a city rebuilt with shiny new buildings housing the requisite Barnes & Noble, Kohls, World Market, etc..., leaving little or no room for small neighborhood shops. I'm sure the Hardrock Cafe will get rebuilt, but probably not Mrs. Pearson's Eats. The heart and soul of any city are its people, and whether anyone wants to admit it or not, that heart and soul will be reduced by every person not welcomed back that wants to return.

And so the rest of the world watches as we flounder along, trying to find our way as we attempt to locate our collective soul. The French know what it means to be French, Japanese citizens take pride in their quietly admirable ways, the Spanish revel in their rollicking way of celebrating centuries of survival. We Americans may be on the verge of figuring out who we are, or at least if we truly are more than just the latest fashion craze or beer commercial mentality. Our political leaders are going to try and use all of this to their advantage under the guise of compassion, and often times that compassion is real, but the spin doctors are already hard at work trying to bring the other side down and thereby gain political advantage. This event needs to transcend politics and vanity, and instead get recognized for what it really is. Our fellow Americans, human beings just like us, whose hopes and dreams have been torn asunder, possibly beyond repair, need our unbiased help. Let empathy be your guide...

Friday, May 06, 2005

Hey all, here's the latest from my keyboard, hope you enjoy it...Live large!

MEN OVERBOARD

The ship, five-hundred sixty-three feet of inglorious haze gray, floats indifferently upon the damaged waters of Hong Kong Harbor, held fast by thirty-tons of anchor buried deep in a quagmire of thick silt more than one-hundred twenty feet below, a steady five knot current keeping each man-sized link of the anchor’s chain taut against its neighbor. Her cargo, comprised of fuel oil for other ships and forty-eight thousand tons of munitions, includes enough nuclear weaponry to vaporize most of the free world. Ominously named after the Hawaiian volcano Kilauea, she lies at the ready more than five miles from shore, where harbor melts into sea and stout winds tear the water’s surface into notoriously choppy swells void of any syncopation. A soft symphony of moaning cables, swirling breezes, and the brawny slap of saltwater on sturdy hull echoes across the weather decks, sneaking deep into her bowels and the fertile dreams of her slumbering crew.

In a little more than three and one-half hours reveille will sound, urging each man up and to the task of getting the ship underway, these past seven willful days time enough to drink too much and whore around, to fight and puke and drink some more, enough stories lived to fuel lifetimes of embellishment for this crew of three-hundred saints and sinners, fathers and husbands, brothers and sons, each man and near-boy. The time is near for a return to the sea, to toil and sweat, to purify and recharge body and soul, time to reflect before the next exotic stop and more of the same. Mothers—I’ll tell you—don’t let your sons become sailors.

Shawn Peter VanDeen, a freshly-minted man-child just turned twenty-one and only nine months removed from the manicured dairy farms of Northeastern Iowa, lies in his rack sleeping quite fitfully as the hour approaches 2:00 am in this part of the world, the soft red ooze from a nearby compartment light bathing the left side of his pimpled and peach fuzzed face with an other-worldly light. If any of his shipmates are awake and watching, they’ll see young VanDeen ensconced in lustful dreams, hungry for the young bargirl he’d slept with two nights ago, and if they look closer still, they’ll observe his left hand anchored as firmly to his one-hundred percent Dutch crotch as is the ship to the ocean’s bottom. He slumbers without remorse, for at this stage of his young life the world truly is his oyster, its pearls tantalizingly close.

This last day in Hong Kong VanDeen had been required to remain onboard, summarily held prisoner by the responsibilities of duty and watch, unable to partake in one last self-indulgent night of carousing, awash in alcohol and Asian wonder. While many of his shipmates had ploughed ashore on decrepit water taxies crewed by ancient and weathered Chinese mariners, men of indeterminable age, who none the less scampered lithely about collecting fares while peddling warm Pepsi and mayonnaise sandwiches, he’d spent this day’s hours working in the ship’s armory cleaning guns and inventorying ammo. The armory was a tight but quiet space, virtually cut off from the rest of the ship by the abrupt regimen of security, and he greatly enjoyed these episodes of respite from the stifling chaos that normally invaded his days onboard this big, gray, pig of a ship.

At precisely 2:04 am, Shawn Peter VanDeen is coarsely awakened from his dreams of soft, nubile flesh and manhood gained by the loud wail of bells and boson’s pipe that seem vaguely familiar, hugely annoying, and largely irrelevant until the Petty Officer of the Deck’s voice spills sharply from the compartment’s 1MC speakers, “Man overboard, man overboard, this is not a drill, there’s a man overboard the USS Kilauea, all hands heave to and muster on deck, I repeat, this is not a drill!” His eyes flash open as realization floods his young mind, and he’s the first to bolt from his austere rack out of the sixty-plus men he bunks with, quickly into his pants, his bare feet flowing into steel-towed boondockers harsh against the backbone of his toes, up and towards the exit, a grey-white t-shirt forced over his head as he runs for the armory. In just seconds he’s pushing through shipmates headed the opposite direction in the too-narrow passageways, and he imagines how a salmon must feel as it fights against current and gravity towards the spawning pools of its own creation. He reaches the armory at 2:06 am and watches the shake of his hands as they battle the key into the hard lock. Muffled shouts and the throbbing echoes of so many feet running hard fill the dank spaces deep within the ship’s belly, and he feels his mind and body quicken as the first tingle of adventure’s call seeps into his membranes.

Inside the armory he unlocks the tallest cabinet and grabs two full clips, ten rounds each, and stuffs them into the olive-green webbing of an ammo belt, and then lifts the cold and solemn steel of an M14 rifle from its coffin. He turns to go and smashes his right shin on the knee-knocker as he heaves through the hatch. The pain sears into his mind and separates him briefly from this moment, but quickly he’s back on task. “Fuck”, he thinks while locking the armory door, this single word pulsing, then stalling in his brain, and once again he gathers his momentum down the now empty passageways, up steep ladders and across purposely rough decks, up to the O1 level and left to the port boat davit where he’ll pass the rifle and ammo on to the boat officer. He arrives at his destination breathless and proud just after 2:08 am.

Lieutenant Ralston’s voice is barely audible above all the gruff and questioning men gathering at their man-over-board stations, each bleary-eyed sailor wondering who’s gone over, and those no longer drunk from this night’s binge may even be wondering about the how and why. VanDeen spies Lieutenant Ralston’s bald head gleaming under the jolt of flood lights shining just above the boat davit and pushes his way to him, the sea of men parting readily upon glimpsing the M14 in his hands, and he perceives the rifle’s power as perhaps his own.

“Lieutenant, Seaman VanDeen reporting with one M14 and twenty rounds for the shark guard.” The Lieutenant ignores him for several seconds before he turns and asks one simple question followed by one direct order: “Are you qualified on that rifle son?”, and VanDeen replies quickly, “Yes sir, I am.” The Lieutenant looks him over with the squinty-eyed scrutiny of one who’s seen brave men and foolish men likewise fail and succeed, and having heard no quiver or break in VanDeen’s swift reply, softly commands “Climb up in that boat son, you’re the shark guard tonight.” VanDeen starts to question, but stops before his lips betray him, and clumsily, one hand heavy with the M14 and ammo belt, and the other grasping the boat’s gunwale, he hoists his body over and into the motor whaleboat, its twenty-six feet suddenly too small this damp, dark night.

“Fuck VanDick, watch where you’re sticking that piece of shit gun!” VanDeen feels his mood sink just a little more, this voice all too familiar. It belongs to that son-of-a-bitch Shiny, this apt moniker due to the constant and radiant sheen of his complexion. VanDeen thinks this gleaming little bastard is the biggest ass on the ship, and of course it figures that he’ll be subjected to Shiny’s particular brand of scorn on this night of nights. “Shut-up Shiny, I’m not even awake yet” is all VanDeen can come up with in defense of whatever it is young men feel compelled to defend. He gathers himself from the ropes and gear lining the keel and sees Shiny grinning there behind the boat’s wheel, looking for all the world like a man squarely in his element. He shoves a lifejacket at VanDeen and spouts “Put this on VanDick, we’ve got to get our asses movin’.”

With the novice air of someone impersonating a sailor, VanDeen stands and wobbles as he steps through the leg loops and slides the swollen, pumpkin-colored Kapok up and over his too-square shoulders, the vision of desperate men bobbing like big orange marshmallows upon distant, lonely swells capturing his mind’s eye as he cinches the chest strap tight. He takes the middle seat and nervously waits as the third member of this random crew climbs aboard, then nods his greeting as the newcomer finds his own space near the bow. ”How you doin’ partner, I’m Carlson” twangs the newcomer, southern cool trickling from his voice.

He’d learned right away that the only names used on ships and at sea were last names or nicknames bestowed with or without affection by your shipmates. “VanDeen” he replies over the clamor of activity spreading across the weather decks, “I’m the shark guard tonight”, and he thinks how outlandish this declaration sounds coming from a boy just escaped from an Iowa dairy farm. Carlson looks at him with an easy smile that settles the mood within the tight confines of their tiny vessel just a bit and says, “Well that’s good VanDeen, cause I’m the swimmer and I don’t want no shark taking a bite outa my Texas butt tonight.” VanDeen relaxes and laughs at this scrap of Texas irony flung his way and knows he trusts this guy already. Carlson looks past him to the stern and raises his voice over the din, “Hey Shiny, how’s things with you?” Shiny stands in the back puffing on a Camel no-filter, his sorry attempts at smoke-rings lost in the evening’s mist, and shouts back “Fuckin’ just dandy Tex, you ready yet?”

Shiny signals to Lieutenant Ralston that the three men and the whaleboat are ready to be lowered over the side. As much as VanDeen loathes Shiny he has no choice now but to give in and believe, believe that Shiny knows what he’s doing, and suddenly remembering that quite probably a man, one of his shipmates, is alone out in the dark and the cold greasy water, believe that some small victory will eventually mark the end of this night. Now, as the boat davit lifts them free of the whaleboat’s cradle, as he and Carlson listen intently to Shiny’s instructions, VanDeen feels that particular sense of impending doom begin to fill his belly. As the three men steady themselves and swing out over an ocean of foreboding some fifty feet below, each can feel the combined gaze of the ship’s crew all at once wishing them luck while condemning them with envy, sending them hope and hurling futility like softballs, their three uneven destinies now sewn into a single, crazy tapestry of the bizarre.

As the boat slips steadily towards the dark water below, Shiny attempts to resuscitate the engine, all the while shouting instructions, and it’s readily apparent who will lead them now. “You need to stand and hold the rope with both hands, let it slip through, but be ready to fuckin grab a hold tight! That way if this fuckin’ thing falls, your dumb ass won’t fall with it”. Thick, knotted, manila ropes hang from the boat davit and into the whaleboat for just this purpose, and VanDeen and Carlson stand quickly and embrace the ropes as the logic of Shiny’s words rings true. The motor startles awake, and VanDeen feels strength and reassurance in the vibrations resonating throughout the small boat as Shiny guns the engine in neutral to quickly warm it.

“When we hit water, you knock that pelican hook loose up front Tex. VanDick, you get back here by me and knock this one loose soon as I tell ya, and be careful not to get hit in the fuckin’ head.” VanDeen does as told, but then looses his balance as the boat impacts the water harder than he’d imagined. Carlson knocks his hook free without difficulty, but VanDeen is late doing the same, and this causes the bow of the small boat to slam vigorously into the mother ship, knocking each man from their feet and down into the vee of the keel. “Goddamn it VanDick, get that fuckin’ thing loose now”, Shiny screams into the darkness as the three men struggle to regain their balance and dignity from the boat’s bottom. VanDeen staggers through his ineptitude and to his knees, finally bumbling to a haphazard resolution of his task. With both ends finally free, Shiny slams the transmission into gear and gets them away quickly into the night.

VanDeen’s person reeks of embarrassment as he begins to sputter apologies, but Carlson stops him cold, “Fuck it kid, nothing hurt, and we got more important things to worry about, like some poor son-o-bitch floatin’ out here alone.” Mercifully, Shiny agrees and even adds, “Fuck man, you should’ve seen the first time I came down, nearly ripped off a finger on those Goddamn ropes”. VanDeen can hardly believe that Shiny isn’t berating him like a drill sergeant, as if out here on the slick waters of this far away place he just might be more than merely some green sailor unable to pull his own weight. Intuiting he’ll have another chance at redemption before this night is finished he peers intently into the chill and nothingness, far beyond what his eyes can see, and imagines himself a hero.

The small boat evaporates into the suffocating darkness and quickly becomes nothing more than a slowly eroding memory to the crew left behind. Again and again, the boat lifts to a brief hover before crashing down into thick furrows born from the confluence of the night’s hearty winds and the harbor’s swift currents, and each man holds fast to the sides with at least one hand. Carlson asks, “Have ya got a clip in yet kid?” VanDeen shakes his head and releases his grip on the gunwale to put one in. He’s instantly pitched about and bangs rudely from side to side as he wrestles a clip into the gun, then once more clutches the rifle across his lap and resumes his anxious grip on the gunwale. Greasy water is spraying continuously off the bow and into the whaleboat, and VanDeen thinks about saltwater corroding the metal and tiny mechanisms at the heart of this gun, that maybe it won’t work when needed, that perhaps he won’t be able to do whatever he’s asked to do. Each man soaks and feels the chill of this evening close to the bone, the amount of resilience necessary for their survival directly proportionate to the hard elements and their growing isolation.

“So where do we head Shiny?” VanDeen wonders this mystery aloud, the great blackness of the night swallowing everything not caught in the dim glow of the boat’s navigational lights. In the distance he can make out their ship’s silhouette and the lights of Hong Kong sprinkling across the shore and into the hills as a thin fog works to sponge everything outside the whaleboat into nothingness. “The current runs this way, strong-ass current too, so anyone or anything falls in, that’s where it’ll go.” Shiny says this as a matter of calm fact, as if he’s been doing this exact thing each night for a long, long time. VanDeen looks where Shiny points, and sees only the obstacle of darkness.

Carlson shifts to the middle of the boat and inquires if Shiny knows who is missing. “Well”, begins Shiny, “The Lieutenant says someone cut loose a fifteen-man life raft from amidships and that we should look for one, maybe two guys. The roving patrol saw the life raft go in, and the port bridge watch saw someone jump off the fuckin’ fantail. Shit man, Communist China’s right around the Goddamn corner, what’s this asshole thinking?” Once again VanDeen sees the direct logic in Shiny’s perspective and wonders who among his crew might do such a thing. “Tex, why don’t you get back up in the bow and use one of them battle lanterns as a spotlight out front, and you do the same VanDick, except on the sides. I’ll slow this cocksucker down so no one else falls into this shithole of a harbor”. Shiny slows them to a crawl, just enough forward momentum to maintain a little stability against the chop and wind, and VanDeen notices he’s shivering, the lantern in his hands trembling its slim beam across oil and water, third-world flotsam, and the strange stink of adventure.

The three men burn their eyes into the abyss, searching, hallucinating, each wanting to see something that looks ordinary out here on this pond of the surreal. Carlson is the first to call out with the glow of possibility coating his words, “Hey boys, over there by that styrofoam, what’s that stickin’ up, is that an arm wavin’?” VanDeen and Shiny squint to see what Carlson is talking about, but neither can make out a damn thing through all the spray and bleakness. Shiny guns the engine and steers towards whatever it is Carlson thinks he sees, and as they approach each believes for a moment they’ve found what they came to find, that this evening will have a clean and happy ending after all. But then, from his perch leaned uncomfortably far out in front of the bow, Carlson’s voice fractures this temporary euphoria with the truth, “Dang it all to hell man, it’s just an ol’ bamboo stump floatin’ round. Damn hard to see squat tonight!” VanDeen shines his lantern out on the hard evidence leering back at them from all the shit and slime, and thinks it looks more like one of his father’s dairy cows dropped dead, bloated and stiff, drifted all the way here from his former life.

VanDeen shifts his watch into the harsh light of his lantern and remarks, “It’s 2:47 guys, what do you think they’re doing back on the ship? He’s cold, wet, and tired, and wishes for nothing more than to crawl back into bed and his dreams of nothing and everything. He’d joined the Navy to see the world and find adventure, to live so robustly that when he returned to Iowa his family and friends would know, they’d just know. This night doesn’t feel robust or anything like he thought adventure should. It feels more like trauma and tedium, like shivering wet cold, and defeat. As they continue to careen over the rogue waters and through the infinite minefields of stagnant debris, he starts to wonder how long you search for a fallen shipmate before conceding, and he feels deeply guilty for thinking any and all of these things while someone is out there, maybe drowned, their wretched corpse already starting to swell up in these stinking waters and the stupefying aloneness of this place.

Shiny steers the boat in long sweeping arcs trying to get some unknown angle or catch the glint of something foreign amongst the homogeny of floating debris. He recognizes most of the objects—soda cans, plastic bags, cardboard, cigarette butts, a comb, the leg of a doll—as vivid artifacts echoing the environmental pitfalls of modern living even here on the other side of the world, and by now they look natural, like flowering landmarks of prosperity and poverty alike. “I’m thinking we turn this fucker around and start a pass to the right and back towards the ship—what do you think VanDick?” VanDeen hesitates to answer, suspicious of Shiny’s motives behind wanting to know his opinion, but then slowly, he releases his own logic, “This boat can cover a lot more water than a raft or a man swimming, so if he’s out here, we’ve passed him by already. If we go back towards the ship with these wide turns, we might just run over him.” VanDeen hears his own voice ringing, surprised by its full and sure tone, and Shiny spins the wheel hard and throttles them back towards warmth and things familiar, as if VanDeen’s words have somehow gained a weight specific to the gravity of this night.

Carlson’s hyper-vigilance is now etched in silence as he continues at his post in the bow, unflinching, believing that the next foot traveled will reveal a clue or even the big prize, and if not in this moment, then hopefully in the next. His eyes fight off each oasis that appears, unwilling to accept anything but truth. His knees grow raw beneath his dungarees as his legs press hard into the narrowing of the bow as he battles to maintain his tenuous perch. His posture speaks of steadfast resolve and never say die, of the eternal need to fight ‘the good fight’ and ‘David versus Goliath’. VanDeen stares at his back and thinks of all the underdogs who scrap and fight, who give it all up for one chance in a million, one final shot at redemption for all the wretched souls who think of this life as a done deal. Seeing him up there, so stoic and alone, VanDeen knows this night’s outcome is out there still and waits for them to arrive, that each winner and loser still hangs equally in the balance.

As Shiny starts another arc to the left, Carlson pivots right like a weather vain caught before a summer’s storm spilling across the vast openness of his Texas youth. He thinks he sees a yellow raft there off the starboard bow, a shimmering, momentary sighting that quickly fades like all the rest, but wait! Again this vision rises from the boil of angry water, like the mythical phoenix suspended above wet ash and ruination, the source of this Siren’s call at last revealed.

Shiny sees Carlson’s focus shift and follows by turning the boat hard on its starboard side, aiming towards the spot where the Texan’s sight lingers, just there, a few yards ahead and to the right, a semi-miracle served up disguised as a bright-yellow life raft. Shiny slams the throttle shut and lets the whaleboat drift to a stop not more than fifteen feet away. The raft looks empty as it bends and drops over the grimy slop of the harbor, and the three rescuers feel the power of fate and loss pushing them back once more towards the inane and abysmal. But then they see it, like some ghostly apparition slithering from the ocean depths, a single hand reaching up to grip the raft’s safety line. They balance on weary sea legs and gaze transfixed by the spectacle of this one hand fumbling incoherently as it fights to raise its owner from the raft’s rubber floor, each rescuer now reduced, however temporarily, to the role of bit player in this unswerving theater of the absurd.

“Fuckin’ Wilson?” Shiny’s voice breaks their collective stupor by flinging this expletive question out into the coal blackness, the answer languishing right in front of them, the raft’s sole occupant stupendously drunk or something much worse. “Jesus, he’s messed up bad Shiny. Pull us up closer so I can grab that line and bring him alongside”, implores Carlson through the surprise they all feel.

VanDeen knows this guy, in fact they checked onboard the same week and share the commensurate bond and burden of enduring a rookie sailor’s “rights-of-passage” these past six months. Wilson had been assigned to Shiny’s division in the deck department, while VanDeen went to Weapons, the nature of their respective work keeping them on parallel, but separate, courses. VanDeen had witnessed Shiny and Wilson running together as liberty hounds frequently in the past, but always avoided any interaction due to the taunting Shiny would inevitably heap on him.

As the drama ebbs onward, Shiny stands like a pillar of sea-salt behind the whaleboat’s con, the thickness of this night camouflaging his burgeoning despair and holding him captive. VanDeen wonders why Shiny isn’t moving them forward, the end of this strange rescue just beyond their reach, and he gestures his puzzlement in Carlson’s direction. “Hey Shiny, come on man, move us up before that son-o-bitch falls in and drowns himself!” Shiny leaves his fog and takes just a second to glower in the face of Carlson’s retort, then eases the whaleboat forward until it bounces into the raft, momentarily pushing them once more apart before both vessels settle together. Shiny kills the engine, and the three intrepid rescuers find themselves confronted and confounded by this strange offering from destiny’s lot, this night’s irony missing its mark.

Carlson grabs the safety line and waits for VanDeen to slide forward and help as Shiny sits down in the stern, sparks a Camel, and attempts to divorce himself from this moment, this place. “Tie this line around that cleat over there kid”, drawls the Texan as he hands the line to VanDeen. He does as instructed, using a technique taught to all men who travel the high seas, and then watches Carlson slip easily into the raft. He sees that Wilson’s face and hair are smeared with vomit, that the raft is filled with several inches of puke-infused seawater swirling in perfect unison with the passing of each roiling swell. Carlson doesn’t seem to notice, and by now has propped Wilson into his lap and is cleaning his face with the tail of his own shirt, lovingly, like someone’s mother might do.

“This boy’s in bad shape, somethin’ more than just booze got into him tonight.” VanDeen can hear the overt worry flowing through and with Carlson’s words, and he feels the shadow of this night pushing them all closer to the precipice of something that feels like sickness and fear and loathing and hopelessness, one big, steaming, helping of total shit served up on life’s plate out here in the dark.

“Hey Shiny, I think it’ll be too damn dangerous and hard to get him in the boat with us. You back the whaleboat up and I’ll tie this here line to the stern cleat and ride along with ol’ boy in the raft. Just tow us nice and slow cause he’s real sick.” Shiny says nothing as he flicks the Camel into the water and rises slowly, the weight of doing anything that will take them ‘home’ this stark night heavy on his conscience. He knows the Captain as an incredibly adept hard-ass, that his sick friend will return a villain, that the depth of Wilson’s error in judgment will pale in comparison to the Captain’s seething wrath and subsequent punishment. To return his friend to the ship at this point is tantamount to throwing him squarely into the lion’s den, and Shiny longs for some divine salvation to appear and take his hand from the boat’s wheel, to remove him from his role in this night’s complicity.

VanDeen unties the rope as Shiny brings the engine to life, then slinks past whatever’s simmering in Shiny’s mind and sailor’s heart, into the stern without speaking as he feels the evening’s dark pallor raining down evenly on them all. Shiny somberly maneuvers the whaleboat around and then backs it up until VanDeen can once again grab the raft and hold it close as Carlson ties a bowline around the stern cleat, the beginning of the epilogue to whatever escape Wilson had sought this fateful night. Carlson retreats to the far end of the raft and lifts Wilson’s torso free of the rancid water and leans the sick man into him, wrapping both his arms around Wilson’s chest to keep him upright and safely in the raft while it’s towed back to the separate fates awaiting each of them.

VanDeen turns and stays crouched in the stern, presumably to guard and tend the thin line now securing one craft to the other, but mostly to avoid passing through whatever sacred space Shiny has carved there by the con to hold his anger and his loneliness at bay. He watches as Shiny slowly moves the boat forward, away from the thick “what ifs” of the night and towards the more certain future that awaits them back on the ship. He thinks back to his grandfather and his tales of combat, of boys turned men overnight, of survival and loss, of the weariness that invades body and soul until a gray nothingness mercifully washes over with the guarantee of one’s continuation in this life, if not one’s salvation.

Up ahead he can feel the ship looming, vanished beyond the wall of fog that seems to foretell the hour of reckoning soon to be upon them, and he knows the stench of this night will linger, perhaps forever. There aren’t any hero’s this night, just four men encountering a certain crazy destiny they couldn’t foresee. Shawn Peter VanDeen looks at his watch and notes it’s 3:18 am, then closes his eyes and settles himself into the bulkhead for the long ride back to whatever awaits. His weariness this night runs deep, down to his very marrow it seems, deep enough to tease at the fringe of his soul and the end of his youth.

Friday, April 22, 2005

Right Turn on Red

It’s a Sunday afternoon brimming with hazy sunshine, the kind of day that leaves you lethargic, but still feeling okay about things. I want nothing more than to lie around, perhaps in my hammock reading, maybe dozing off into a rare and glorious oblivion, and to keep my agenda open. Unfortunately I’m driving to work instead, the antithesis of what I truly need, and I can feel any potential for some tiny sliver of tranquility ebbing away. The icing on my cake of sad lament is spread indiscriminately by unknown bureaucrats and civil engineers who’ve determined that it’s in my best interests to have only one route available between my home and my place of employment. I’ve tried my best to be accepting these many long months, envisioning some future thick with smoother sailing, but to no avail, and I find myself once more meandering along with my fellow travelers at a snail’s pace, my watch ticking away precious seconds turned to minutes as I prepare my psyche for the good-natured ribbing I’ll receive as I show up late once again.

This route to my own personal salt mine spirits me away from East Ventura via Los Angeles Avenue to Santa Clara Road and eventually onto Highway One, arriving twenty-one point seven miles later at Naval Air Weapons Center Point Mugu. It’s cracked two lane black-top for more than half the trip, and I share this malnourished asphalt with untold legions of displaced and equally displeased drivers piloting massive big rigs, family vans and SUV’s, tractors laden with chemicals bound for the fields, and those infernal larger than life motor homes. An occasional hybrid fights its way among these bigger brothers, and we’re all overtaken on a regular basis by precise clumps of manic bicycle riders enshrouded within the bogus refuge of neon, spandex, and blustering health, hell-bent on arriving somewhere and anywhere, sweaty, exhausted, and quite possibly before the rest of us. My own lonesome journey is painfully broken into increments of two-hundred yards—stop!—a quarter mile—stop!, and so on. Road rage isn’t even an option as my fellow drivers and I are equally mired upon the same long serpent of misery, so I turn up the radio and try to let it all go, nothing to be accomplished right now other than the waiting and the enduring.

On this particular day I end up first in line at the intersection of Los Angeles Avenue and Santa Clara Road, having just missed the light and needing only to make a right turn to continue my journey. The traffic spilling from my left off of Highway One Eighteen swarms infinite, and any attempt at “right turn on red” stifles under this onslaught. After passing through this intersection with such cruel regularity these past months I know it like I know breathing. Staring into the surrounding citrus groves and strawberry fields with only the aroma of chicken manure as pungent witness and companion, I feel my disgruntled self rearing up in revolt at the prospect of two more minutes wasted as the damn stoplight controls the next several moments. “Jesus”, I think, “Why do we live like this?”

I hang from the steering wheel with hands draped at the “ten and two”, and trouble myself with half-hearted acceptance of this fate that we in the western world have wrought squarely upon ourselves, unable it seems, to reverse our course towards better days. As I hunker down and gawk into the quick voids between vehicles wading by in both directions, I catch intermittent glimpses of something, or rather someone, on the far side, and I feel my interest swell as I consider this small mystery suddenly manifest just beyond the incessant din of metal and internal combustion.

New signal lights have recently been installed at this intersection, each imbued with a predetermined hierarchy of red, yellow and green, their effervescence dangling just below giant metal talons arched high over the center of Santa Clara Road. Each sprouts from a broad concrete base and looks far too substantial as to trifle with the mundane task of persistently controlling our movements, and sometimes our will. An old man of perhaps sixty-five or seventy sits atop the far concrete base with his back curved away from the cold steel, placid and unmoving, as if a small tear in this immediate reality has opened just enough to allow him entry from some obscure ‘where’, and now, worn thin from the trials of his journey, he rests.

He’s wearing a black suit over a white shirt, a necktie evenly banded with oblique blues and reds, and tired white socks that sag above black leather shoes rimmed with light brown earth. Everything about him looks dusty, and I wonder if the fields have ordained him as their Prince. On his lap camps an old attaché case, the type that fathers with important jobs used to carry, held shut by those little brass latches that twang open when the button is pushed. The old man’s arms press into the case’s top and the firm grip of his hands upon its handle suggests that just maybe something of great value nestles inside.

His face tips down and I can’t tell if he’s half asleep or just fully steeped in the contemplation of some impending fate waiting only for him. I wonder how he got here, all at once so entirely surrounded by the impatience of modern living while appearing to be anchored firmly in the middle of nowhere. His perch flattens against the rush of cars and trucks, mankind’s tumultuous reach just there at his feet, and I marvel at this image of someone so oblivious to, and at the same time, so at peace with such chaos.

The last of the crossing traffic passes and I see him clearly and continuously for the first time. He’s short, his feet hanging quietly several inches above chalky-fresh gravel newly spread round the base, and the wind is caressing thin strands of wintered hair against the grain of his life. His ears flair grandly away from his head like proud flags on the Fourth of July, and I think the breeze must be singing to him as it whistles and slides along these contours. His old face droops like stretched leather on an old sofa, and deep brown creases seem to map out hardships survived and things best forgot. He looks like magic fallen from the sky.

Someone in the glum tail of cars behind me honks and cracks my spell, and I see that I’ve bungled the opportunity to “turn right on red”. I imagine the green light smirking at my lack of attention as I quickly turn the corner, hotly embarrassed, and watch as the old man slips away, the last proof that he exists his tiny profile reversed in my side mirror, his perfection now captured only in the mind’s eye. I try to focus on the road ahead as I grapple with a strange sense of loss flowing into me, some extraordinary regret forged by the passing of something precious, but not quite understood.

I want to turn around and go back and park my car, maybe throwing the keys deep into the fields before stealing quietly there beside him to sit, silent and peaceful. I’d like to ask him a single grand question if I could, and see him smile the answer. We could sit together and wave at all the hurried drivers, imploring them to just slow down and consider other possibilities, that perhaps life isn’t hardly ever what we think, but instead how we think it. I’d like to tell him that I don’t care much for this life of jobs without meaning, all the hustle and bustle, so much angst carried along in the wake of our insipid competitions, this life of too little love and never enough beauty, this life of too much pride and too little empathy. I’d like to toss my lot into responsibility’s hat and walk away from it all, with him, into some other dimension. I’d like to explore the treasure in his battered case and the mysteries in his heart, and then help him defend these secrets as if they’re my own gospel too. I want to show him something genuine and make him believe that every now and then his miracle does indeed rise above the clamor of ignorance and appearance.

Instead, I continue my drive to work with all these ‘wants’ riding shotgun, each a glimmer of some other me that must be decisively squelched before I can step into the muddle and ego of my work. This makes me sad, sadder still that I can’t conjure up the courage to embrace a good and reckless abandon. To each ‘want’ I say good-bye, if only for this day, and lonesome once more I struggle my way back into the world of man and machine.

Friday, April 08, 2005

Bottom Turn


The wind whispers
familiar
in some other tongue.
Rubber skin
clues
Achilles' heel, while a
faded horizon
nibbles
upon the senses, and
some blue Everest
awaits.

Thick swells rankle and
rally,
innate virginity
intact.
Brine-heavy whiffs
traverse
quivering unease.
Meditate and coil, as
the rage
approaches.

Tactile pronouncements
shiver
crossing Neptune’s carpet as
the mêlée ripens.
Liquid mayhem rides
sapphire mounds
plowed deep
into cobalt chill.

And then such
miracle!
Water becomes steep cliff,
turn, paddle, and trust
as
something ignites,
reflex
commands moments
stretched
as the drop unfolds,
‘twelve’ to ‘fourteen’
enough to
mame.

Practiced harmony
becomes
sublime crouch,
then twist
and drive, this
humble conqueror
reduced
beneath thick curls
spilling
heavy,
muscle’s memory
a
bottom turn
perfected.

Turquoise roars
hollow just behind,
the sun’s
bright stare
twined
with fractured spray.
This wave’s veneer
sparkles invitation as
you race
its withering claws.

And then
it quiets, this
finale
adrenaline’s flush
against
fates tempted, this
journey
eternal.
Drop, turn,
and paddle, once more
immersed
in the cold indigo
embrace
as Neptune bows.

Thursday, March 31, 2005

One of my first attempts at poetry...hard to keep it short!


PATIENTLY IT WAITS…

Feral indifference
scratching
outside,
an affront to
the perfectly vain.

By night a stranger, perchance
a crony
in day’s light, impetuous
companion
on long walks,
quickening
far
from home.

Soft murmurs swirl
a lover’s whispered
desires tantalizing, taunting,
beware! the fury
beyond the push of gray
sky, and patiently
it waits…

Alpha and Omega, Mother
Earth’s loving caress
before
the wounding,
howling testimony echoes
the futility of
things
temporal.

Restive allegiances congeal
frantic heat,
stupefying cold, the town crier
unheeded, seas
of whistling green
beneath
the flay
of willow’s branch.

Buddhist mandala,
a masterpiece blown
asunder,
smooth stones wait
for soft
breeze or violent gale, renegade
gusts flee
with our ashes as light
dims, and patiently
it waits…

Friday, March 04, 2005

Inspired by my little buddy Griffin...

Bye-bye Chicken-head

He rides his scooter, sometimes in pajamas and for hours at a stretch, on the uneven sidewalk in front of my house, left to right, right to left, a blur of activity and purpose amongst the serenity of our neighborhood. He talks and sings to whoever cares to listen as he thrusts his way towards the simple destinations of childhood, his free leg grabbing at the pavement ahead, his bare feet battle tested and undaunted by rough concrete.

His name is Griffin, just about five and naturally fearless. He’ll answer any question asked of him, the truth communicated in awkward sentences and words not yet mastered, and he’ll share secrets of the universe without any solicitation. More often than not he’s in possession of two small plastic dinosaurs, one each in grubby little boy hands that can still be used to scratch and pick in spite of their payloads. Given the opportunity he’ll shift both to one hand and use the other to stroke and study your ear lobe, his finger tips tantalized by peach fuzz and soft flesh. He calls me “Chicken-head” just because, and he’s my frequent helper and companion as I struggle along with inept garage projects that always seem to be marvels in his eyes. He can climb the purple tree in his backyard, “all the way up” he says, and gestures to the heavens. He says the lady who lives behind him has a “hammut” that she lies in and reads too many books. He motions for me to bend close and whispers, “She can’t see me up there!”

It’s a Wednesday morning and Griffin stops by to inspect a small chair I’m painting, my attempts to capture the whimsy portrayed in the “How To” book straying high and right of their mark. He touches fresh yellow paint with a chubby finger and then wipes the residue on his pants. “It’s for Moriah’s room”, I tell him while retouching his fingerprint, and he informs me, “Riah doesn’t like yellow”. He’s right, and I realize my own love for all things yellow has gotten in the way of yet another project. I’m mildly perturbed at myself over this revelation, but Griffin rescues my mood by sharing his daily offerings: a hard plastic orange triceratops and a squishy green gecko rife with lint and a few blades of dry grass. He makes me hold the gecko and laughs devilishly as I make a face of mock disgust. With a modicum of ceremony I hand the gecko back to him and compliment his choices for the day. I tell him, “I have to get ready for work now Griffin”, and he looks at me as if that’s the silliest thing he’s ever heard. Glancing out at the street I notice a strange pick-up passing slowly by, brown and battered, its driver violating our privacy with his dark stare. Griffin shouts “Bye-bye Chicken-head”, then hitches up his pants and bolts for his scooter left crashed on my drive and disappears down the block, the sounds of youthful freedom fading away as the garage door thuds to a close.

Awhile later, as I’m getting in my car and suffering from the resignation of self to the equation of modern living, i.e., work = dollars = life, I notice Annie approaching. I can see she’s upset, perhaps even frantic about something. Annie is Griffin’s mom and my favorite neighbor to dawdle away a few minutes with in the driveway, talking about kids and life, a little politics here and there, about the yin and yang of this crazy world. Her face is heavy with something that looks like fear, and I feel whatever it is she’s feeling creep into my being. “Have you seen Griffin?” she begs. In that moment I want things to be instantly okay, I want to raise a finger to my lips and gesture towards the rear of my car, silently giving away his hiding place. I want to say “Yes Annie, he’s inside going potty, and someday he’s going to be President and lead the world out of its darkness”. I want to say it’s alright and always will be, but the image of a dark stranger piloting a brown and battered pickup through our neighborhood flutters across my mind, and instead I hear myself sputtering “He was with me in the garage about forty-five minutes ago, but then I had to get ready for work.” “Well I can’t find him anywhere”, she says with a peculiar air of certainty. “He’s not out back, he’s not over at the Kinney’s, I even went to the apartments and looked around because he keeps talking about his friend Jeremy that lives there by the pool. I’ve looked all through the house, the closets, the garage, everywhere!” Her hand trembles and covers her mouth, and I stand there stupid and immobilized by the fates. I look past her moist eyes and see the scooter lying like some bridge between good and evil in their front yard, and I wonder where its intrepid rider has gone.

And then it occurs to me we need to call the police, that amber alert thing, Jesus Christ, we’ve got to move Annie! My fog lifts and I shift into my natural mode of over-reacting and push Annie towards her door, both of us nearly tripping over the scooter, and I begin shouting orders and reassurances, “Call 9-1-1 now, then call Marty, tell him to come home, Griffin’s got to be somewhere close by!” We reach the phone and I force it into her hand. “I’m going outside to look some more, but I’ll be right back, don’t worry, we’re gonna find him Annie!” I watch myself run out of the house and into the vacuum of mid-day in the suburbs, because by now the whole thing has become like some surreal out-of-body experience that’s recounted by those pronounced clinically dead who then recover and once more lay claim to this life. I feel as if I’m mired in an episode of The Twilight Zone that never aired, and I find myself wondering how Rod Serling would have ended this one.

I haven’t mentioned the mysterious pickup and its burgeoning wake of ominous possibility to Annie, and I wonder why. My paranoia strengthens as my hope for a positive outcome wanes, and I hear myself blaring, “Griffin, Griffin”, my hands funneling the sound and urging it out to the farthest reaches of my cookie-cutter surroundings. I freeze waiting for his answer, but the neighborhood returns only silence. I run to the corner and shout his name again and again, as loud as I can without sounding insane, but still nothing. I notice an old women peeking at me through grey curtains, and I run to her door and knock wildly, but she won’t answer. “A little boy is lost!” I yell into the wood as I mash an eye to the peep hole. “He’s about five, did you see him, have you seen anything?” I knock again, heavily, but still she won’t come to the door, and as I run back to Annie’s I fantasize about grabbing the old woman by the shoulders and shaking the answers free.

I burst inside and find Annie awash in that certain anguish carried only in the womb and by the infinite, her body quivering under the crushing weight of some unspeakable doom. I catch her eyes shooting glints of hope my way, and I have to look down as the question of my own culpability invades my person: Why did I let Griffin out of my sight with that strange brown truck and its shadowy driver still lurking there at the edge of our sanctuary? A single dull question passes my lips, “Did you call the police?” She nods vaguely and says “They’re on the way”, her words dripping with nightmare. Then, thinking there’s nothing else to be done, I guide us to the couch and we sit festering in a still and awful silence, neither wanting to speak our dark thoughts for fear of giving them life.

Granite moments slowly erode, and then Annie slumps forward and softly begins to pray, a mother’s divine imperative for the triumph of right over wrong, her instincts battling capitulation. Her hands lie buried between her legs clutching a small fragment from the recent past, the head of a hard plastic orange triceratops just visible through tense fingers. Seeing this, an epiphany begins to roil at the periphery of my hope: what about the gecko, that other place, yes, it’s just there, he told me this morning, maybe, just maybe …These random thoughts hoist me off the couch, through the slider and onto a slab of concrete patio and then I stop, afraid to proceed any further, my last ditch euphoria floating just above the loitering nausea brought on by portentous possibility.

To my left is a short brick wall encircling a few scraggly flowers struggling for survival. Carefully positioned on the top bricks is a stubby two by four leaned into rippling bark beneath thick garnishes of leaves the color of eggplant. No more than fifteen or twenty feet separate me from the purple tree, and suddenly I can’t reach it quickly enough to match this moment. I move forward in a crouch and duck-walk under the sweep of its branches, my aging knees popping questions, and I steady my squat against the trunk as I strain to look up.

I see that the branches uniformly intertwine, smooth and devoid of leaves except at their ends, a natural ladder to the uppermost limbs. Sparse light imbued with dark lavender illumines this secret refuge, and it is here that I find him, “all the way up”, just like he told me, his small body securely cradled by a web of dark branches and scraps of plywood. He’s asleep, one arm dangling free, the hand at its end holding fast to a squishy green gecko, and his profile percolates with the innocence of youth and dreams of his future. I watch silently for just a bit, stuck on the sheer goodness of seeing him there, and then my forehead thumps into the trunk and I find myself shaking with the fatigue born of genuine relief. You’re right Griffin, the lady in the “hammut” can’t see you up there!

Sunday, February 27, 2005

Here's a story I recently wrote for a class...not necessarily my natural style, but none the less, my words...

Paint Schemes

Bernard had wanted her to take the job right away, but she hadn’t been so eager. What’s an old man with a half-assed house-painting business got to offer her, she’d wondered. She had bigger dreams, dreams she hoped would carry her away from this place, out into a world filled with excitement, wealth, and security, and once she got there she wasn’t ever coming back. And why didn’t Bernard get off his lazy, no-good ass and find some work of his own instead of spending his time pushing her towards this and that while he wasted his days hangin’ with Ahmad and Sulky outside McQuill’s convenience store—as if his ship docked there.

“Baby, I’ve got to make myself available to the possibility of opportunity” was Bernard’s pat reply when she grilled him about doing something, anything, to improve their situation. “Ya just gotta have a little faith in your sweet old man Roachy, I’ve got some dreams too.” She hated this pet name he’d given her, “Roachy”, short for Rochelle, because it made her feel like just another piece of his paraphernalia, like she was merely some stoned bitch Bernard had picked up as an afterthought. At the start she had fallen for his easy smile and exotic good looks, and perhaps his steady supply of weed played a bigger role in their relationship than she’d admit. Now, with the baby only three months away, and having given up smoking in a sudden act of responsibility, she felt all too intensely trapped and was beginning to loathe the idea of a lifetime with Bernard. Feeling helpless and in desperate need of the money, she resigned herself to the old man’s offer of working “the office side of things.”

She showed up on a dreary Monday nearly twenty minutes late for her first day, but the old man seemed unconcerned as he escorted her through the garage and stacks of paint containers, old brushes and rollers, and loosely folded tarps splattered brightly with paint. “Sorry ‘bout the mess Rochelle, guess I’ll hafta make changes now I got an assistant.” He gently guided her into the bowels of his house and showed her to a table mostly hidden under a bounty of papers, and folders bulging with wrinkled receipts. An ancient adding machine, the kind that spits out its work on long ribbons of translucent paper, sat in the middle of this confusion, and next to it a small can ripe with a child’s art work was stuffed with a variety of ball-point pens and stubby pencils. “Welcome to the office”, he beamed, “No painting today on account of this weather, so I can show you the ropes. I got some hot coffee, you wanna a cup? Have a sit, that’s your place now Rochelle, you gonna be the boss here soon.” She did as instructed and watched sullenly as his old bowed legs carried him painfully into the kitchen.

Over the next few hours the old man showed her his ways, and the more she learned the more she wondered how he’d been surviving. She’d always had a way with numbers, and the lack of order and connection between his business and the mess on the table was unsettling to her. “Mr. Wallace, I’m not sure I’m the right person for this job, I mean I got no experience at this type of thing.” “Please Rochelle, call me Knuckles, everybody does on account of my arthritis.” She peeked at his gnarled hands and saw direct evidence of this claim. “You need money with that baby coming soon and all, and I need help with all this. My sister used to help me, but her eyes is failing and she can’t do no more bookwork.” Rochelle could only nod meekly, and that night she told Bernard about the old man called Knuckles and what she’d learned about the business. “That’s right Roachy, things is lookin’ up now. Soon as I git my thing rolling, we gonna be smooth.”

Rochelle spent the next few weeks reorganizing and revamping the old man’s books, tapping into a business savvy she hadn’t known she possessed. The old man happily agreed with whatever she suggested, and by and by she started to feel good about what she was doing and glowed under the praise Knuckles was throwing her way. “Rochelle, you ‘s making my life easy, gonna keep me in the business for awhile now.” The old man certainly had a way about him, and the phone rang steadily with inquiries from well-to-do folks across town wanting their homes touched by his talent. She was careful to explain that she’d have to discuss a schedule and set up the time for an estimate with her boss, and jotting down their information, she dreamt of being able to make such plans for her own home someday.

“House painting is a good business,” he would say to her occasionally, smiling at her from beneath one of his protective paper caps. “People always need a good house painter.” She would watch him drive away alone, the ladders clattering in the rear of his old paint-splotched truck—hardly secured by the threadbare ropes—the multicolored cans of paint sealed tightly, knocking against each other as the truck sputtered off. She wondered why he didn’t hire another helper, an apprentice to learn the trade and maybe take over someday. She even tried to envision Bernard in this role, but all she could see was Bernard sitting around while the old man worked himself into his grave. She hoped her baby would at least be blessed with ambition, and not the listless genes of its father.

One Friday afternoon, the baby’s arrival a mere six weeks in the future, she sat waiting on Knuckles’ front porch for Bernard and her ride home. He was late, as usual, and she felt hugely tired and inconsolable. The baby had been wrestling with her all day as if foretelling that some difficult future was close at hand, and she wished that someone else could carry her burdens for the remainder of the day. As she sat and considered her immediate prospects, some distant but newly familiar sound caught her attention, and leaning forward she was able to make out Knuckles’ old truck wobbling around the far corner and creaking its way home. He was early—she normally didn’t see him until the next morning once he left for the day’s work—and she figured the dark clouds promising a rainy evening had shortened his day. He smiled and waved as the old truck labored into the driveway, and feeling her mood lighten, she smiled in reply.

“Can’t do no outside work in the rain Rochelle, no sir, no good in the rain”, he huffed as he struggled to exit the truck. “Mother Nature has her own mind and don’t care ‘bout no house painting, the Fishers just gonna hafta wait. How you doing now? You looking tired.” The old man seemed to know just what was going on with her all the time. At first she had felt uncomfortably exposed by his way of knowing things about her that she hadn’t yet shared, but lately his perceptions felt natural and fatherly, and she found herself wishing from time to time that she was really his daughter and not just someone recently hired to help out. “I’m fine Knuckles, just a little tired, that’s all. Bernard said he’d be on time today, but you know I can’t trust that man. I wish he could carry this baby awhile so he’d know how it does a woman!”

She watched the old man slowly make his way across the hard-scrabble front yard and then settle heavily beside her on the top step. He smelled of sweat and turpentine and sat with swollen knuckles and bent fingers cupping his knees, the backs of his hands looking like some of Picasso’s best work. “He looks just about right”, she thought, “a man who knows his place among things in this life”, and she longed to press into him and stop the world for awhile. The “what ifs?” of her young life suddenly flooded her mind and heart as she watched the old man peer into the decaying neighborhood and beyond, and soft sobs of despair welled-up and spilled from her being so full of life’s hard edges. The old man looked at her and innocently slipped a weathered arm around her heaving shoulders and spoke softly as he pulled close, “Now, now honey, Knuckles got ya, things gonna get better, always do.”

Sunday, January 30, 2005

Here's a little piece of my past:

"324 EAST CLAY STREET"

The rain continues to fall, steady and resolute in its resolve to saturate the ground. I’m home alone, another day off wasting away, my mood sullen and mildly depressed after so many sun-free days filled with tragedy. Staring out the window, watching fat drops of rain join the flood that used to be my backyard, I begin to think of my Mom and how much she loved the rain. This cracks a smile across the dormant expression that’s been holding my face hostage, and as my mind begins to flutter back in time and with no agenda to distract me, I relax and let it come. Almost at once I find myself happily lost in the tranquility of a small Southern Iowa town, ironically yet aptly named after the great Seminole Indian, Chief Osceola. A freckle-faced boy with teeth far too large for someone so small greets me, and merging into one, I begin another journey down the road of memories.

It all begins with the yard, expansive enough that it could easily be mistaken for some once-majestic and manicured park long since forgotten. This tattered lawn folds with quiet grace into a realm of unkempt gardens, snarled raspberry patches and gravel roads that form dusty checkerboard patterns stretching to the far edges of a young boy’s reality. A baseball field, with base paths forever etched into the fertile Iowa soil by the proud owners of Red Ball Jets and P.F. Flyers making their runs for glory, slumbers peacefully to one side amidst this cheerful clutter. The grass, a thick and surly entity of dandelions, three-leafed clover and a smattering of ancient bluegrass, is often the only spectator at impromptu games and shows its reverence by allowing the field to remain. A maple tree bigger than a child’s imagination towers over the front yard like some benevolent, all-knowing giant. Its leaves flash silver-green clues to the wind and offer hints of enlightenment to those still young at heart. Dark blue, cool shade on the hottest of days provides requiem for children slick with salt-sweet sweat. Bulging, gnarled roots boil from the ground and raise the red-orange brick sidewalk like a splinter festering in one’s finger pleading for release. Endless armies of friendly helicopters launch themselves on one-way trips throughout the summer, each piloted by radiant dreams of the eternal.

The house, small and very square, camps without regret near the center of the sprawling yard. Chalky-white paint peels freely from its epidermis like the pale skin of the town’s inhabitants when first exposed to the sun after too many long, winter days. The concrete foundation, cracked and moon-scaped, has two cob-webbed windows on each side that offer an ethereal glimpse into a basement constantly moist and best used for nothing, but none the less pressed into service as storage space for family heirlooms. A screen door, its screen permanently scarred and puckered by the thrust of young hands rushing to play, hangs agape. Unable or simply unwilling to close completely anymore, it bangs softly in secret communication with the slightest breeze and provides reassurance that all is well, beckoning those who pass to come inside and see for themselves. This prophesizing of what lies through its portal is worth listening to, for it was in this non-descript house buried in the heartland that I learned about magic.

The inside of my first home was decorated with furniture donated from relatives, family friends, and sale purchases, a combination that my mother referred to as “Early American Mish-Mash”. This ‘style’ was dictated more by necessity than choice as my father’s struggling service station seemed always to be one short step from going under the perilous financial waves that pound upon the metaphorical shores of most small towns. The very scenario my parents must certainly have lamented over as they lay in bed at night allowed my two sisters and I a freedom not found in our friend’s homes. Whether by accident or design, my parents left the entire home open to our inquisitive young minds and bodies, and in doing so gave their children a true sense of belonging. Intuitively, my siblings and I realized that we were the three most important things in our home.

Separating the living room and kitchen was a room we all called “The Dinning Room”, although it contained no facilities for dinning, and to my best recollection there was never any attempt made to dine within its confines. Any number of titles would have better defined this room’s truth, and something like “The Get Wild Room” would have provided crystalline insight as to its real nature for a first time visitor. My mother’s eclectic furniture was sparsely placed along the walls leaving the hardwood floors wide open, the soft-brown caramel shinning seductively and challenging my sisters and me to fly across its expanse in stocking feet. I can remember lying face down, cross-eyed in my attempts to make out my reflection, the floor satiny smooth against the tip of my tongue.

Commanding most of one faded beige wall in this room that surely must have smirked at the inaccuracy of its own title loomed the most significant piece of furniture in our home. It lurked there as if the house had somehow evolved around it, a behemoth insisting we pay attention, its ego bullying mere pine and plywood into figurative sawdust. Well worn like everything else we owned, its aura frayed but not diminished, I’ve no idea of how or when it became ours, or more specifically my mother’s. She was the only master this beast acknowledged, and through it she spread some of her most powerful and abundant magic. For you see, my mother was first and foremost, a magician.

“Please mommy, please, please play the dancing song” my sisters and I would beg. “Alright, but only once or twice” my mother would reply, her merriment welling up and matching our own, and almost never “I’m too busy” or “Maybe later”. My mother’s time was always abundant when it came to us, and I believe this was the very heart of her magic. Joyously engulfing my mother like baby otters, in that unique way that only a child can move from point A to B, that wonderful mix of sliding, jumping, falling, crawling and skipping, we would accompany her into the dinning room. And then, looking at us as if we were indeed her best work, she would slip elegantly and fearlessly onto the bench in front of the beast and begin to play.

The sounds that sprang from my mother’s ancient Baldwin mesmerized my sisters and I like nothing else could in those days. When she would play our favorite song, which we always referred to as “The Dancing Song” instead of whatever the title actually was, a passerby gazing into our home might have suspected some pagan ritual was in progress. The music went to our very marrow, the rhythm imploring our souls to burst, and we entered into a frenzied state void of any embarrassment or recrimination, our sole purpose self-expression at its deepest level. My mother would play furiously, flawlessly and without regard for the level of decibels spewing into our home and leaking into the outside atmosphere. Laughing with us, at us, and in total alignment with the wonder of it all, she would play faster and faster, spurring us on to the brink of collapse. Sometimes I would slow my frenzy imperceptibly and marvel at my mother as she banged away, seeing her like our yard; fierce and kind, disheveled and perfect all at once. During these episodes of “glorious madness” (as my father called them), she was no longer our mother, but instead became a force of nature, someone so dominating and in control that ‘the moment’ was the only state you cared to be in. If there is such a thing as a ‘perfect moment’, my mother could string them together like pearls on a necklace with her playing.

Like travel at the speed of light, my mother was able to suspend time with her playing. That monstrous Baldwin was her weapon against all things boring and mundane, and she commanded it like an avenging angel hell-bent on showing us that unbridled joy is far more important and real than pomp and circumstance. When she finally ceased one of her performances, my sisters and I would more often than not fall to the floor, moist and throbbing, our faces thick with cramped grins of unadulterated joy, hearts pounding, our breathing free, heavy, and quick. My mother would slide from the piano bench and join us on the floor, her own breathing steady and full, a smile resonating her love for us. Recounting in hilarious detail our individual dance moves and quirks witnessed while playing, she held the moment open a bit longer, our laughter continuing into the infinite, our bond transcending flesh, bone and genetics. Eventually, out of respect for the impermanence of all things, as time crept imperceptibly back into our world, we would heave our bodies from the floor and reluctantly allow our mother to continue the never-ending chores that come with parenthood, innocently unaware of the great gift we had just been given.

From a human perspective, time moves forward, and adolescence soon descends upon the innocent and carries us all into new pursuits and adventures, to places where the magic of youth no longer buoys us from moment to moment. My mother, upon witnessing these changes in her children, must certainly have longed for the days of “The Dancing Song” and all they embodied, but as a true magician she did her best to help us navigate the road of hormones and heartache we would all soon travel. My father’s service station had in fact bobbed beneath the wave’s one too many times, but he landed on his feet in a new job that paid well, although it kept him away during the week. His new job necessitated a move to Des Moines, Iowa, a city hundreds of times larger than Osceola, and also to a newer, bigger, more polished home. My mother used her magic to ensure it was a warm and loving place, but its smoother edges and more upscale neighbors brought unexpected changes for us all. Resuming her career as a nurse, my mother helped to heal others, both in body and spirit, and became life-long friends with many of her co-workers and patients. Desperately wanting to become “cool”, my sisters and I left the small town behind and invited the change of the present to wash over us, for better or for worse. Our wishes were granted, and over the course of our first year in Des Moines we all gained acceptance and new circles of friends, friends who showed us the ways of the city in direct, and occasionally cruel, fashion. Soon, our begging to visit old friends just fifty miles south dried up, our tears no longer filling the rivers that flowed to our past.

And what of the beast? It was moved unceremoniously into the basement of our new home, its immense weight breaking several steps in the process, perhaps one final act of defiance as it sensed its imminent fate. Its final resting place was a dark corner seldom visited, and soon the beast fell prey to the vestiges of a family distracted by the many entrapments of life squared. Though its silence resonated deeply within us, we were no longer so easily entertained. The complexities of growing up had descended upon us all, and one by one we turned and walked away from the magic.